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Walnut Tombak by Mousavi — Handmade Persian Zarb (TM1)

649,00

A hand-turned walnut Persian tombak (zarb) by Tehran maker Mousavi, with a natural calfskin head, a 26 cm playing surface and a warm, projecting voice for Persian classical and folk rhythm.

Made by this luthier:

SKU: TM1 Categories: , ,

Description

Walnut Tombak by Mousavi — A Persian Zarb

The walnut tombak by Mousavi is a hand-turned Persian zarb built in the Tehran workshop of a maker with some twenty-five years at the bench. The tombak is the principal hand drum of Persian classical and folk music, and this model carries its full rhythmic vocabulary — the deep tom struck at the centre of the skin and the bright bak sounded at the rim that together give the instrument its name.

Walnut Body, Natural Finish

The shell is turned from a single piece of walnut, a dense, warm-toned hardwood long favoured by Iranian makers for the clarity and projection it lends a drum. Mousavi leaves it in a matte natural finish that keeps the grain open to the eye and hand, and decorates the bowl and turned pedestal foot with fine incised rings — a quiet, traditional ornament rather than applied inlay. The open goblet base lets the sound breathe and project.

Calfskin Head & Voice

The playing surface is a natural calfskin head, bound to the shell in the traditional way. Calfskin gives the tombak a warm, organic attack and a wide tonal range: a ringing, cutting tek at the edge, a round, resonant tom in the centre, and the snapping riz finger-rolls the repertoire is known for. As a natural membrane it responds to the room — a living quality Persian players prize.

SpecificationDetail
MakerMousavi (Tehran, Iran)
InstrumentPersian Tombak (Zarb)
BodyWalnut — single turned shell
HeadNatural calfskin
Head diameter26 cm
Height46 cm
Weight2.9 kg
FinishMatte natural
DecorationIncised ring detailing
SKUTM1

Who It’s For

This is an instrument for the intermediate to advanced player — a committed student stepping up from a starter drum, or a performing percussionist who wants a hand-made walnut tombak with a serious voice. At 46 cm and 2.9 kg it is a full-scale concert tombak rather than a travel piece.

In the Persian Repertoire

The tombak sits at the heart of the Persian dastgāh tradition, anchoring radif performance and accompanying the tar, setar and santur. Mousavi’s walnut model is equally at home in Persian folk music and in contemporary, cross-cultural projects, where its dynamic range and clear articulation cut through an ensemble. Explore more Persian tombak drums in our percussion collection.

Care & Maintenance

Treat the calfskin head as you would any natural skin: keep the drum away from direct heat and sudden humidity changes, and let it acclimatise to a new room before playing. Wipe the walnut shell with a dry, soft cloth — the matte finish needs no polish. Stored well, a hand-made tombak like this matures in tone for years.

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Additional information

Weight2,9 kg
What is a tombak?
The tombak is a goblet-shaped Persian hand drum, also called the zarb. It is the principal percussion instrument of Iranian classical and folk music, played with the fingers and palms to produce a deep bass tom at the centre and a bright tek at the rim.
What is this tombak made of?
It has a single turned walnut shell with a natural calfskin head and a matte natural finish. Walnut is a dense, warm-toned hardwood traditionally favoured by Iranian makers for its clarity and projection.
How do I care for the calfskin head?
Keep the drum away from direct heat and sudden humidity changes, and let it acclimatise to a new room before playing. As a natural membrane, calfskin reacts to its environment and settles in tone with regular playing.
Is this tombak suitable for beginners?
At 26 cm across and 46 cm tall it is a full-scale concert tombak, best suited to committed students and intermediate-to-advanced players rather than a small starter drum.
How is a tombak tuned?
A tombak has no fixed pitch and no tuning hardware. Its tone is shaped by the calfskin head's natural response to warmth and humidity rather than by tuning to a note.