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Santur - Hammered Dulcimer

The santur is a struck-string trapezoidal dulcimer with deep roots in Persian classical music — and a sister instrument across Greek, Turkish, Indian, European, and East Asian traditions where it appears under names such as cimbalom (Romania), tympanon (France), salterio (Italy), hackbrett (Germany), and yangqin (China). Each variant carries distinct cultural nuance, but all share the foundational technique of strings struck by a pair of light wooden mallets.

Persian santur construction uses a trapezoidal walnut or maple soundbox with a thin spruce soundboard. Strings — typically seventy-two in total, grouped in courses of four — run across two parallel sets of bridges, allowing each note to be played in two pitches by striking either side of the bridge. The mallets, called mezrab, are light wooden hammers held between the fingers, driving the rapid articulation and dynamic shading that define dastgah practice.

Traditional santur is a diatonic instrument — locked to a specific tuning system, with key changes requiring laborious retuning of individual strings. Tapadum carries two innovation variants that overcome this limitation. The Special Santur with Sharping Levers integrates Celtic harp–style mechanical levers, allowing each note to be shifted by a half-tone instantly — opening rapid key changes within a single piece. The Special Santur with Mandal goes further: each string carries a sliding adjustment mechanism that allows full-tone changes and microtonal positioning, with the mandal stopping at any desired pitch — supporting the full quarter-tone vocabulary of Persian dastgah practice without retuning.

The santur sits at the heart of Persian classical dastgah and avaz repertoire, alongside related traditions across Greek (santouri), Turkish, and Indian (santoor) classical music. Solo taksim improvisation, vocal accompaniment, and ensemble work all draw on the santur’s harmonic resonance and articulation range — making it a versatile partner to plucked lutes such as the qanun within the broader string instruments family.

At Tapadum, our Persian santur curation draws on multiple Tehran-tradition makers — including Behrad & Zolani, Persa, and Alavi — alongside in-house builds from the Tapadum Strings & Percussion Workshop in Izmir. Each instrument passes individual quality control — tuning stability, bridge geometry, mezrab response — with our string instruments specialist Sertan Sarioglu before shipping from our Brisighella, Italy showroom.

Santur Buying Guide — Choosing the Right Santur for Sale

Every santur for sale at Tapadum is individually inspected, so the real decision is between the three tuning architectures we stock. If you study classical Persian repertoire within a single dastgah — or want the most traditional instrument and voice — a traditional 9-bridge santur from a Tehran-tradition maker is the reference choice; the diatonic layout matches what teachers of the Persian radif expect. If you perform pieces that change key mid-set, or move between Persian, Turkish, and contemporary repertoire, the Special Santur with Sharping Levers lets you shift any note a half-tone instantly, harp-style, without touching a tuning pin. And if your practice depends on the full quarter-tone vocabulary — modulating between dastgah families or exploring microtonal composition — the Special Santur with Mandal gives each string a sliding stop that can rest at any pitch, from full tones down to microtonal increments.

Two practical points complete the decision. First, plan the ecosystem around the instrument: spare bronze and silver string spools, mezrab/zahme mallet sets, a tuning key, and a proper stand are all in our santur accessories range — a santur is a seventy-two-string instrument, and having strings and tools at hand keeps it in voice year-round. Second, check the maker attribution on each product page: whether from Behrad & Zolani, Parsa, or the Tapadum workshop, every santur ships with its bridge geometry and tuning stability individually checked. Worldwide shipping & 15-day return apply, and our team will gladly advise which variant fits your repertoire before you order.

Frequently Asked Questions

What is a santur?
The santur is a struck-string trapezoidal dulcimer played with a pair of light wooden mallets called mezrab. It has deep roots in Persian classical music, but the same instrument family appears across Greek, Turkish, Indian, European, and East Asian traditions — under names like cimbalom (Romania), tympanon (France), salterio (Italy), hackbrett (Germany), and yangqin (China). Each variant carries cultural nuance, but all share the foundational hammer-struck-string technique.
How is the santur tuned?
Traditional Persian santur uses a diatonic tuning system locked to a specific dastgah — key changes require retuning individual strings, a slow and labour-intensive process. Tapadum carries two innovation variants: the Special Santur with Sharping Levers uses Celtic harp–style mechanical levers to shift each note by a half-tone instantly, and the Special Santur with Mandal uses sliding adjustment mechanisms that allow each string to be repositioned by full tones or microtonal increments — supporting the full quarter-tone vocabulary of Persian practice without retuning.
What music styles use the santur?
The santur is the central instrument of Persian classical music — especially dastgah and avaz repertoire, where it accompanies vocal lines and drives solo taksim improvisation. It also features in Greek classical (as santouri), Turkish music, Indian classical (as santoor, used famously by Pandit Shivkumar Sharma), and contemporary world music and fusion projects across the Mediterranean and Central Asia.
What is the difference between Persian, Turkish, and Indian santur?
Persian santur uses a trapezoidal walnut or maple soundbox with seventy-two strings grouped in courses of four, played with light wooden mezrab mallets and tuned to dastgah systems. Turkish santur is closely related but smaller, with regional repertoire emphasis. Indian santoor has a wider, flatter soundbox with around one hundred strings, played with curved mallets for both Hindustani classical and folk repertoire. Each tradition carries distinct mallet technique, tuning conventions, and musical role.
Which santur should I buy — traditional, sharping levers, or mandal?
Choose by how you handle key changes. A traditional 9-bridge santur is the reference for classical Persian study within a single dastgah — the layout teachers of the radif expect. The Special Santur with Sharping Levers suits performers who change key mid-set: each lever shifts a note a half-tone instantly, harp-style. The Special Santur with Mandal serves players who need the full quarter-tone vocabulary — each string carries a sliding stop that rests at any pitch, enabling modulation between dastgah families and microtonal work without retuning.
Santur - Hammered Dulcimer