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High-Quality Ash Tombak by Shirani — Persian Zarb (SH2)

Original price was: €525,00.Current price is: €460,00. Save 65,00

A glossy ash-wood Persian tombak from the renowned Isfahan workshop of Shirani — a 3-mohr zarb with a camel-skin head and a 28 cm playing surface, bright and projecting, with the maker’s woven band and burned seal.

Made by this luthier:

SKU: SH2 Categories: , ,

Description

Ash Tombak by Shirani — A Bright, Modern Persian Zarb

Where a walnut drum is dark and brooding, an ash tombak does the opposite: it is pale, crisp and quick to speak. Built by Shirani in Isfahan and graded three mohr, this is the drum for players who want their tek to cut and their zarb to carry across a room rather than sink into it.

The Character of Ash

Ash (zaban-e gonjeshk, “sparrow’s tongue”) is a pale, straight-grained hardwood — brighter in tone than walnut or mulberry, with a fast attack and a strongly projecting voice full of high-end clarity. Shirani keeps the bowl smooth and lacquers it to a high gloss, leaving the blonde grain and its soft figure on full show: a cleaner, more contemporary look than the darker woods.

Head, Band and Seal

A 28 cm camel-skin head — the widest of the two smooth models — balances ash’s brightness with a solid, resonant bass, so the drum stays full even as the treble sparkles. The woven Esfahan · Shirani band circles the head, and the burned oval seal carries the workshop’s three mohr, its semi-professional to professional mark.

SpecificationDetail
MakerShirani (Isfahan, Iran)
InstrumentPersian Tombak (Zarb)
Grade3 Mohr (three-seal)
BodyAsh — single turned shell, smooth
HeadNatural camel skin
Head diameter28 cm
Height47 cm
Weight3.9 kg
FinishHigh-gloss lacquer
DecorationShirani woven band + burned seal
SKUSH2

Who It Suits

28 cm head, 47 cm tall, 3.9 kg: a concert-scale tombak for the intermediate-to-professional player who wants brightness, projection and a pale, modern instrument for Persian classical and folk music. Prefer a deeper, darker voice? The walnut model (SH1) is its natural counterpart; for warm, classic resonance, see the ribbed mulberry (SH4).

Caring for the Head

Like every natural-skin drum, the ash tombak prefers stable conditions — away from direct heat, out of sudden draughts — and a little time to settle after a move. A dry cloth keeps the gloss clean, and there is no tuning to do. Browse the full Persian tombak range to compare woods side by side.

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Additional information

Weight3,9 kg
Is ash a good wood for a tombak?
Yes — ash (zaban-e gonjeshk) is pale and straight-grained, and it gives a tombak a brighter, faster, more projecting voice than walnut or mulberry. It suits players who want their treble to cut and the drum to carry in an ensemble.
How is the ash model different from the walnut Shirani?
Same maker, grade and camel-skin head, but a different voice and look: ash is pale and bright with strong projection, while walnut is dark, warm and deeper with longer sustain.
What does the 3-mohr seal mean?
Shirani grades its tombaks by mohr — the burned seals on the drum. Three mohr marks the semi-professional to professional tier.
What is a tombak?
A goblet-shaped Persian hand drum, also called the tonbak or zarb, played with the fingers and palms — the principal percussion instrument of Iranian classical and folk music.
Does it need tuning?
No. A tombak has no fixed pitch; the camel-skin head's tone responds to the warmth and humidity of the room and the player's hands.